119 N. Peoria St. #2A Chicago, IL 60607 • Wed. - Sat. 11-6 and by appointment
Western Exhibitions presents its third solo show with ADRIANE HERMAN. The show opens on Friday, May 25, 2012 with a free public reception from 5 to 8pm and will run through June 30, 2012. Gallery hours are Wednesday through Saturday, 11am to 6pm and by appointment.
For the past several years, Adriane Herman has taken artistic inspiration from her collection of over 1000 found, gifted, and bartered “to do” lists, re-presenting these scraps of paper on a significantly larger scale in a variety of media, from inlaid burnishing clay panels; screenprints; photo-etchings; embossments; vinyl decals; to virtually any mediated medium. This re-creation of other people’s list reveals, to her, certain universal aspects of humanity, such as our common need for food, shelter, water, human companionship, entertainment, and -- in most cultures -- toilet paper. Herman’s unique and editioned objects trace the trajectory from intention to action, highlighting and monumentalizing the tasks that vie for our time, energy, and attention.
Herman states:
Since lists are generally written with the self in mind as intended reader, they embody honest, unfiltered documentation of what humans today are doing (or at least intending to do) with our most precious resources of time, energy, and attention. Forces such as advertising are still in play, as manifest by the prevalence of brand loyalty in many of the thousand plus lists I have collected. However, by and large, sifting through these intimate yet anonymous documents of human aspirations, procrastinations, and accomplishments both large and small reveal us to be -- depending on your perspective -- reassuringly individualized or damnably idiosyncratic, despite shared experience and struggles.
Anchoring the show will be "Coping Mechanics,” an ink-jet print stitched together from nine photographs that measures 16.25 x 70 inches. It depicts nine of the most personal and revelatory, even voyeuristic, lists in Herman’s collection, each of which directly or indirectly reveals its writer trying to deal with something challenging. Some of these are quite literal and self-explanatory, while others operate more abstractly and suggestively when taken out of context. “Dually Noted” is a wallpaper installation created collaboratively with Brian Reeves, which consists of a grid of ink-jet reproductions of lists from Herman’s vast archive. Other works in the show re-present individual lists, such as “Home,” a lithograph that utilizes the transparency of Japanese paper to “note” the contents of both front and back of a hand-written list of items the writer wished to retrieve from his mother’s house after she passed away. The screenprint “Passion Aggression” counters with humor, valorizing a mother’s enumerated list of tasks her offspring had better accomplish “or else” – signed “Have a nice day. Love, Mom.”
[above] Adriane Herman and Brian Reeves, Dually Noted (tiled), 2012, each sheet: 27"x20" Edition: 100
[above] Adriane Herman, Coping Mechanics, 2011, ink-jet, 70"x16.7" Edition: 11
[above] Adriane Herman, Passion Aggression, 2011, silkscreen, 23" x 21",
printed at the University of Northern Iowa. Edition: 20
[above] Adriane Herman, Home, 2012, [double sided] lithograph, printed at the University of Iowa,
31.5" x 21.75". Edition 20
